Dec 7 - CaL 5: Paint and Pigments + pgs 96-99, 104-107

underpaint with a tint or transparent undertone of venetian red or burnt sienna. A warm underpainting will force you to cover the background with opaques, requiring you to make mixing decisions. In paintings of blue or green tonality, little spots of the warm color peeking through will create nice contrast.

Sky panels: paint the gradation of the sky first, then everything else.

More colors doesn't make a better color scheme.
1. Paintings from limited palettes are more harmonious. Old masters used limited palettes by default because they just couldn't get the range of pigments we have now.
2. A limited palette forces you out of color-mixing habits. If you don't have a color called "grass green" you'll have to mix it from scratch, and you're more likely to get the right green that way.
3. Limited palettes are compact, portable, and sufficient for almost any subject. In fact you can paint almost anything in nature with just four of five colors.



mixing a bunch of colors together and ending up with a muddy color isn't necessarily a bad thing! it can make a piece more harmonious, and reduce intense chroma

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