Oct 5 - CaL: 2, G LA: pgs 96-143

Sunlight: a diffuse, soft light coming from many directions at once. Shadows are darker and bluer relative to the sun. As more clouds appear, shadows become grayer. With haze/smog, shadows appear relatively closer to the tonal value of the sunlight.
Colors on the ground bounce up into the nearby objects.

Overcast light is ideal for complicated outdoor scenes.

Fall-Off: point source lights diminish after a distance according to the inverse square law

Hard Light: comes from a sharp, small point. The sun or a spotlight are both relatively hard lights. Its more directional and dramatic, casts crisper shadows and brings out surface texture and highlights.
Soft Light: emanates from a wider area, such as the large panel of fluorescent-like tubes over a workbench. More flattering and reassuring. Tonal transitions from light to shade are more gradual when compared to hard light.

1. Luminescent colors often gradate from one hue to another
2. Blue-green colors are most common in the ocean because those wavelengths travel the farthest through the water.
3. Paint the scene first in darker tones without the luminescence, then add the glowing effects last.


BLACK AND WHITE TRUTHS:
-thumbnail it out
-30-70 ratio (mostly dark or mostly light)
-en masse perspective
-contour/isoparms (form understanding)
-BOLD SHAPES



Find the:
-3 main shapes
-3 main values
-3 main levels

"A curious, less tense mind makes better choices and observations"

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